Issue #115 COMING SOON! Jul 27, 2010 Special Summer Issue on Drawing
Border Crossings Featured in the Globe and Mail Jun 15, 2010 On the Stand: A Weekly Roundup of the Best Magazine Reads by James Adams, Saturday, June 12, 2010
ISSUE #114 Available NOW! May 11, 2010 Featuring a foldout cover designed by Marcel Dzama

BordernotesThe Gaze and the Guess: Fixing Identity in Étant donnésMeeka Walsh
When Marcel Duchamp died in 1968, his longtime friend Frank Brookes Hubachek wrote a letter to Anne d’Harnoncourt, former director of the Philadelphia Museum of...
BorderviewsCollaborating Then and Now: Eldon Garnet & John Abrams
“There I am, John nervously sweating, Teeny sipping her chilled white wine and Marcel lifting a bishop from the board, and the sound of electronic...
BorderviewsMemory Mixer: E C Woodley
The mind of Toronto-based composer and sound artist E C Woodley is rampant with memory. For seven weeks this spring, that memory materialized inside the...
BordercolumnRock of Aegis: "The T.A.M.I. Show", directed by Steve BinderRobert Enright
The T.A.M.I. Show has a peculiar history, the tracing of which necessitates a descent into rock & roll archeology. The film premiered in 33 theatres...
InterviewsThe Gallery of Ingenious Inventions: An Interview with Marcel DzamaRobert Enright
Cover Story Let’s talk about the Border Crossings cover. Are the figures recruits from The Foolish Song for Lorica? The polka-dotted characters come from a drawing Picabia...
InterviewsMarcel Barbeau: The Colour of ChangeRobert Enright
Marcel Barbeau was interviewed by Robert Enright and Meeka Walsh in Montreal, March 25. Here are some excerpts: Border Crossings: What is it that makes you...
ArticlesWho's Afraid of Claude GauvreauRay Ellenwood
Praise for the work of Automatiste playwright and poet, Claude Gauvreau, taken from Ray Ellenwood’s article: Lorraine Pintal, who has been head of the Théâtre du...
ArticlesMythographies Archaeologies Circuitries: Other Ways of CuratingJesse McKee
Curators shouldn’t have to default to the mores of global homogeneity to participate on an international stage. The call for a return to the local...
Art PagesEldon Garnet & John Abrams
Art Pages Eldon Garnet/John Abrams, "ReUnion," 1968-2010, photograph/oil on panel, each 8 x 6" (mounted together 11 x 14"). Courtesy the artists.
CrossoversDaniel SpoerriMark Clintberg
After being pelted by rain, I found the cloistered foyer of Haus Maria Theresia a true sanctuary: it is an art-deco-inspired church, and the hosting...
Crossovers"Pencils, Ashes, Matches & Dust" by Donigan CummingChester Pelkey
In Donigan Cumming’s new book Pencils, Ashes, Matches & Dust, 2009, which draws its contents from his exhibition “Kincora,” 2008/10, the black-and-white photographic portraits arc...
CrossoversVan Doesburg and the International Avant-Garde: Constructing a New WorldPetra Halkes
Like great minds, great museums sometimes think alike. The Stedelijk Museum De Lakenhal, a small municipal institution in Leiden, The Netherlands, was preparing a major...
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