Issue No.
107
Winnipeg
Aug, 2008
On one trip to Paris, when the weather was fine, I rented a car so I could see the Cathedral at Chârtres independent of the pages I’d studied. It was an easy drive of...
View MorePiecing Together the Women of Winnipeg: Bonnie Marin
A Stich in Time is Sublime: Takashi Iwasaki
Art Craiters: Roger Crait
Paper Wait: Paul Robles
When Deco Dawson began making films in 1998, he had already developed a reputation as a precocious playwright and theatre director. His work for the theatre showed the strong influence of related traditions...
View MorePressing a Weight Through Life: An Interview with Jon Pylypchuk
The Ages of Johnson: An Interview with Sarah Anne Johnson
An Artist Walks into a Bar: An Interview with Theo Sims
Domesticating the Prairie: An Interview with Jennifer Stillwell
The floor of the gallery is covered in paper, and you can’t see the surfaces of the tables for all the magazines. The walls are plastered. You see images, half-images, and the edges of images...
View MoreOrdinary Life is Good Enough: Larry Glawson's Home Bodies
Soundings: Winnipeg's Send + Receive at Ten
Winnipeg: You've Come Undone or, You've Got to Get Down to Get Up
Paul Robles
Janet Werner
Ryoko Suzuki
The Québec Triennial
Jinny Yu
"Bilocation"
Simon Starling
Gary Pearson
KRAZY! The Delirious World of Anime + Comic + Video + Games + Art
"Pandora's Box"
Gregor Schneider
'Scissors, Paper Stone: Expressions of Memory in Contemporary Photographic Art' by Martha Langford
Ron Moppett and Carol Wainio
Marc Séguin
Natalija Subotincic
ADAM BUAK: What does the title No Safe Words refer to? NOAM GONICK: In S & M the "safe word" stops the proceedings when things have gone too far. In human rights abuses there...
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