Issue No.
109
Shirin Neshat
Mar, 2009
Cover:
Shirin Neshat, Pari, 2008, c-print and ink, 72 x 48 1/2" edition of 5 + 2 AP.I look out through the windows of my study and the trees are standing as they have for decades. Nuthatches continue their upside-down transit on the big elm, more right side up than we are....
View MoreRental Properties: Sky Glabush
London, Ontario, artist Sky Glabush has been interested in architecture for a number of years, and in "Renting," his most recent exhibition at MKG127, Michael Klein’s Toronto gallery, he built new ideas around the notion...
View MoreWhen Matthew Rankin was studying film in Montreal at the Institut national de l’image et du son in 2004, he couldn’t get the city where he was born and raised out of his mind... “I’ve always...
View MoreBlack House, Brilliant Film: Forough Farrokhzad's The House is Black
Forough Farrokhzad, the Iranian poet who died in a car accident in 1967 at the age of 32, was passionately committed to beauty and truth, a pairing John Keats would understand. In her case, beauty...
View MoreEvery Frame A Photograph: Shirin Neshat in Conversation
In an early video installation called Soliloquy, 1999, Shirin Neshat, the Iranian-born filmmaker and photographer who has been living in the United States since 1975, casts herself as two women who use architecture as a...
View MoreA Question of Scale: Renegotiating Territories of Desire
Comparing my first considerations about art during the ’70s with those I hold today, I sometimes wonder how radically different my thoughts about the artistic process were. What helped me start to understand how artistic...
View MoreDouble Doubting: Carla Zaccagnini's Art of Uncanny Deception
On the way to view Carla Zaccagnini’s exhibition, “no. it is opposition.,” I pass block after block of suburban housing developments punctuated by badly aging late-modernist high-rises whose peeling paint adds at least some character...
View MoreRicardo Basbaum, the NBP object and Four Verbs
In 2007, Brazilian artist Ricardo Basbaum designed an installation for Documenta 12 in Kassel, Germany, that addressed the architecture of the building in which it was located. Besides being site-specifically placed at the entrance of...
View MoreBased in Cape Dorset, with recent stints in Toronto and Ottawa, Oviloo Tunnillie was born in a hunting camp and raised within traditional Inuit culture on southern Baffin Island. The practice of made-for-the-market stone carving,...
View MoreLittle Big Mag: Radical Magazines and Architectural Criticism
For all the myriad look-backs at the music, literature, art and cinema of the 1960s counterculture, surprisingly little has been written about the period’s architecture. One major reason is that as an art form constrained...
View MoreChristine Redfern and Caro Caron adopt the format of the graphic novel to give a new perspective on the life and death of Cuban-American artist Ana Mendieta. Buy Issue 109 to see more pages from the...
View More"Caught in the Act: The Viewer as Performer"
“Caught in the Act: The Viewer as Performer,” an all-Canadian contemporary exhibition at the National Gallery in Ottawa, rides a global wave of museum shows and art festivals that have variously been called participatory, interactive,...
View MoreThe criticism surrounding American painter Elizabeth Petyon is sharply divided, with camps of derisive detractors at one extreme and ardent advocates on the other. The critics relegate her to the status of chronicler of the...
View MoreIn 1974, the artists collective General Idea established Art Metropole as a business venture and an archive for artists’ books, videos, multiples, photographs and other products stemming from what they called “the ephemeral flood.” AA...
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