Issue No.
116
Dec, 2010
Caravaggio: The Desired Body Flares Like an Apparition
In 1984 Pantheon published a book by British writer and critic John Berger titled And our faces, my heart, brief as photos. It was a small personal book of poems, prose fragments, short essays, notations...
View MoreWordlessly, Bookishly: Guy Maddin & Cliff Eyland
There is a solid tradition of diy collaboration in Winnipeg and now two of the city’s most accomplished artists, filmmaker Guy Maddin and mixed mediator Cliff Eyland, have combined talents to produce what they are...
View MoreThe Horror, The Horror: Jillian Mcdonald
Jillian Mcdonald is a kind of horror culture sociologist studying the differences between zombies and vampires, the two most popular species of the Undead. “There is a sophisticated and aristocratic ideal about the vampire, whereas...
View MoreStill Truckin' After All These Years: Randall Anderson
Wisdom is figuring out later in life what we didn’t know we already knew. By this definition Montreal artist Randall Anderson has grown wise. As a young boy, his world was characterized by mobility. His...
View MoreLost and Found: Bird on A Wire
In 1972 Leonard Cohen was irresistible. Across Europe, after his concerts, women come to him backstage, hoping to take strange gain away. Some have kohl-lined, predatory eyes; you can almost hear the sound of their...
View MoreWhat Remains To Be Said: An Interview with Raymond Pettibon
Raymond Pettibon, for all that he is an image maker, is also a man of the book. He reads them, thinks through forms of fragmented (and sometimes whole) narratives, and is constantly considering the way...
View MoreMr. In-Between: Contemporary Stops Along the Modernist Highway: An Interview with Simon Hughes
Some artists like answers; others like questions. Simon Hughes prefers the latter. He is among a generation of Winnipeg artists—the Royal Art Lodge, Karel Funk, Tim Gardner, Jon Pylypchuk, Sarah Anne Johnson, to name only...
View MoreThe Rematerialization of the Idea: Traffic: Conceptual Art in Canada
In a simple piece from 1968 entitled Opinion (Art as Idea as Idea), American artist Joseph Kosuth printed the dictionary definition of the word “opinion” in white on a black background and mounted it on...
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