Bordernotes
Home Is Where the Art Is
Robert Enright
Borderviews
Preying and Predatoring: The Recent Painting of Suzanne Gauthier
Robert Enright
The Demolition Show
by the Demolition Crew
Shadows of Former Selves: The New Work of Marsha Whiddon
Terrence Heath
Interviews
Notes from Chicago: An Interview with New Music Composer George Flynn
Bill Pura
The Mechanics of Excellence: An Interview with Architectural Designer Ron Keenberg
Robert Enright
Articles
Reservations Aren't For Journalists: The Outspoken Career of Heather Robertson
Sarah Yates
News from the Cultural Front Lines
Stephen Phelps
Openings/Beginnings: Notes Toward a Reading of Prairie Fiction
Wayne Tefs
Essay
A Limberlost of Distances: The Myth of Rural Artists' Isolation
Carolyn Hoople Creed
Poetry
Dancing in the Mirror
George Amabile
Crossovers
Anita and Christina/Philippe, videos by Per Brask
Review by Patrick Friesen
The Cartier Street Contract, by Wayne Tefs
Review by Howard Curle
Western Sunlight: C.W. Jefferys on the Canadian Prairies
Review by Robert Lamb
Kim Ouellette at Plug-In
Review by Arthur Adamson
La Folle Avoine's Au Rythme du Courrant
Review by Laurel Howard
The Best Possible Face: L.B. Foote's Winnipeg, edited by Doug Smith and Michael Olito
Review by Andy Blicq
Commentary
Portfolio
The Stillness at the Eye's Centre: A Portfolio of Photographs by L.B. Foote
Meeka Walsh
The Shunning: Excerpts from a Play
Patrick Friesen
Photo Diary
Rebel with a Number of Causes: A Monologue with Robert Flynn
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