Border Crossings Magazine

Bordernotes

Home Is Where the Art Is

Robert Enright

Borderviews

Preying and Predatoring: The Recent Painting of Suzanne Gauthier

Robert Enright

The Demolition Show

by the Demolition Crew

Shadows of Former Selves: The New Work of Marsha Whiddon

Terrence Heath

Interviews

Notes from Chicago: An Interview with New Music Composer George Flynn

Bill Pura

The Mechanics of Excellence: An Interview with Architectural Designer Ron Keenberg

Robert Enright

Articles

Reservations Aren't For Journalists: The Outspoken Career of Heather Robertson

Sarah Yates

News from the Cultural Front Lines

Stephen Phelps

Openings/Beginnings: Notes Toward a Reading of Prairie Fiction

Wayne Tefs

Essay

A Limberlost of Distances: The Myth of Rural Artists' Isolation

Carolyn Hoople Creed

Poetry

Dancing in the Mirror

George Amabile

Crossovers

Anita and Christina/Philippe, videos by Per Brask

Review by Patrick Friesen

The Cartier Street Contract, by Wayne Tefs

Review by Howard Curle

Western Sunlight: C.W. Jefferys on the Canadian Prairies

Review by Robert Lamb

Kim Ouellette at Plug-In

Review by Arthur Adamson

La Folle Avoine's Au Rythme du Courrant

Review by Laurel Howard

The Best Possible Face: L.B. Foote's Winnipeg, edited by Doug Smith and Michael Olito

Review by Andy Blicq

Commentary

Letters to the Editor

Portfolio

The Stillness at the Eye's Centre: A Portfolio of Photographs by L.B. Foote

Meeka Walsh

The Shunning: Excerpts from a Play

Patrick Friesen

Photo Diary

Rebel with a Number of Causes: A Monologue with Robert Flynn