Border Crossings Magazine

Bordernotes

Aboriginal Artists in the Year of Discovery

Robert Enright

Column

Musings in the Aboriginal Kingdom

Wayne Tefs

People of the Text

Dennis Cooley

Narrating the Discontinuous Story

Myrna Kostash

Interviews

Jane Ash Poitras: The Synchronic Spirit

Robert Enright

Let Us Now Combine Mythologies: The Theatrical Art of Tomson Highway

Robert Enright

Kashtin: Following the Caribou's Path

Robert Enright

Shaping Conversation: Rosie Ookpik & Keith Irving

Robert Enright

The Sky Is the Limit: Conversations with First Nations Artists

Robert Enright

Articles

An Eleventh Hour Constitutional

Stephen Phelps

Phantom Indians

Scott Ellis

Voyage through Two Worlds: The Sculpture of Bill Reid

Jack Shadbolt, The Perils of Transformation

Robin Laurence

The Bull Plume Winter Count

Andrea Garnier

Essay

Every Picture Tells a Story

Paul Chaat Smith

Beneath History: Reflections on Aboriginal Culture

Larry Krotz

Poetry

Douglas Raymond Nepinak

Daniel David Moses

My Hometown Northern Canada South Africa

Emma LaRocque

Crossovers

Relative History

Meeka Walsh

Figuring the Bleeding Heart

Len Findlay

The Same Things Indifferently

Ralph Kuropatwa

Spirit Landing

Joseph Christianson

Writing Beyond Borders

Birk Sproxton

The Practice of Conflicting Art

Alison Gillmor

In the Begining Was the Bell

Jacqui Good

A World Turned Upside Down

David Arnason

Stereotypes Under De(Construction)

Charlotte Townsend-Gault

Walking the Path of the Visionaries

Martha Boesing

Radical Constructions

Ingrid Jenkner

The Thinner Red Line

Bruce Duggan

Commentary

Letters to the Editor

Fiction

Blue Against White

Jeannette Armstrong

Fire and Rain

Thomas King