Border Crossings Magazine

Bordernotes

Nacre and Candlesmoke, Venice on My Mind

Meeka Walsh

Borderviews

Button Whole: Michael Adamson

Robert Enright

Collage of One: Paul Butler

Robert Enright

I Paint You Deeply, Madly, Metaphorically: Bev Pike

Robert Enright

Insider Outsider: Peter Carey

Robert Enright

Column

5 1/2 Minutes

Robert Enright

Monster Mash

Gary Genosko

Interviews

Pleasure Principals: The Art of Janet Cardiff and George Bures Miller

Robert Enright

NY 4, Four Canadian Artists in New York: David Craven, Medrie MacPhee, Micah Lexier, Attila Richard Lukacs

Robert Enright

Articles

History Painter: Lawrence Paul Yuxweluptun

Robert Enright

The Power of Reflection

Martha Langford

Radical Beauty: The Work of Christian Eckart

Nancy Tousley

Out of the Blue: Three Works on Vancouver

Peter Culley

Art Pages

Deep Ecology: Wanda Koop

Crossovers

Officialdumbing: Rielisms at the Winnipeg Art Gallery

Cliff Eyland

The Archaeology of Landscape: Paintings of Michael Smith

Nancy Tousley

Sightgags and Soundtricks: Christian Marclay's Cinema

Terence Dick

Remodelling the Gaze: Paintings of Elsbeth Coop and Iris Hauser

David Garneau

The Sister Grim: Photographs of Diane Arbus

Ray Cronin

Scitterbugged: Canadian and Japanese Designs for Living

Robin Laurence

Woebegone Daze: Jon Pylypchuk's New Work

James Trainor

Techno Hectoring: David Rokeby's Installations

Christopher Brayshaw

Nyctalopia: Kate Brown's "Night Vision"

Christian Bok

In Advance of the Post-Mortem: John Will's Photographs

Diana Sherlock

The Trojan Bicycle: Greg Curnoe's "Life & Stuff"

Terrence Heath

lux/magnorth: Magnetic North and Lux

Mariianne Mays

Portfolio

Colour is Power, Photographs by Robert Walker

Introduction by Max Kozloff

Fiction

Martin

Michelle Berry