Border Crossings Magazine

Bordernotes

Desire and Art on the Inside Track

Meeka Walsh

Borderviews

The Craft of Sculpting Furniture: Keith Oliver

Sensational Instabilities: Martin Golland

Girl Stories: Katie Herzog

Surrealism Degree Zero: Krisjanis Kaktins-Gorsline

Bordercolumn

The Reck of History: Hany Abu-Assad's Paradise Now and Steven Spielberg's Munich

Robert Enright

Interviews

The Artful Doubter: Evan Penny & the Making of Extraordinary Objects

Robert Enright and Meeka Walsh

The Eye of the Painting: An Interview with Peter Doig

Robert Enright

Articles

Floating World: The Post-Minimalist Art of Faye HeavyShield

Lianna McTavish

Young Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate

James Campbell

Diplomacies of the Built World: Berlin's New Embassies

Sascha Hastings

Tombstone Outlaw: What Ron Keenberg's Self-Published Monograph Says about Canadian Architectural Culture

Trevor Boddy

Crossovers

Bonnie Marin

Nadja Sayej

David B. Milne

Gary Michael Dault

Sky Glabush

Christa O'Keefe

On Kawara

Risa Horowitz

Carolee Schneemann and Stan Brakhage

Robin Laurence

"Of Mice and Men": The Fourth Berlin Biennial for Contemporary Art

Rosemary Heather

The Whitney Biennial 2006

Jean-Francois Bélisle

Mary Kavanagh

Anne Dymond

Sandra Meigs

Wendy Welch

Martin Pearce

Liz Wylie

Controller: Artists Crack the Game Code

Terence Dick

Anselm Keifer

Chistine Redfern

Randall Anderson

Trevor Gould

Wyn Geleynse

Patrick Mahon

Travel Journal

Boxed Sweet: Donald Judd on the Marfa Road